The Bone House


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Historical Background

Not scary like a horror movie, where, as a passive audience member, you can distract yourself with your tub of popcorn.


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Why, for example, do we know all of their names but none of the names of the victims or the people who caught them? Audiences are offered the opportunity to leave at three separate times if it things get a little to real.

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Director Simon Mallett was intrigued and more than a little freaked out the first time he read the play. Mallett is also the artistic director of Downstage and was considering The Bone House for his season. He was. The company that came together for this specific show includes actors Justine Michael Carriere, Mark Ikeda and Brianna Johnston, stage manager Olivia Brooks and associate director Mike Griffin, who hint has a lot of experience with stage blood.

The Bone House

Mallett stresses that The Bone House is terrifying but perfectly safe. During earlier investigations from to , skulls, both painted and unpainted, were documented. Since there were approximately 30, entries in the church death registry prior to , it is clear that the remains of the individuals housed in the charnel house represent only a small fraction of the deceased population. But it also contains an exciting criminal history Hallstatt The cemetery: The rocky grounds of the parish church became the Hallstatt cemetery.


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The front is assigned the Evangelist Christians. Following the rules of the cemetery there are no family graves. When looking at Hallstatt, you can see how people's beliefs shaped the overall appearance of the World Heritage town. There is evidence of family tradition in the skull paintings and numerous painters were active during this time period.

With few exceptions, certain painting styles emerge as characteristic for particular eras. Skulls with wreaths are the oldest—the darker the wreath, the older the skull. Thin wreaths and coloured crosses with contoured edges are the latest examples of this type of painting. Flower ornamentation on the forehead marks the next phase of artistic development followed by green leaves on the temples oak, ivy, oleander.

The Bone Houses by Emily Lloyd-Jones

A black cross on the forehead was almost always included. The latest paintings from the beginning of the 19th century are characterized by thin ivy branches on either side of the skull, Latin script and comparatively narrow crosses. At times, skulls only carry the name of the individual. Some paintings are copies of earlier examples.

The Bone House

During the last few years of the 20th century, very few skulls were interred in the charnel house. Located adjacent to the picturesque cemetery and next to the catholic parish church, St. Donated by the salt merchant Eysl in , the baroque Michael Altar stands in the eastern section of the chapel. The baroque pulpit located on the northern wall was moved from the parish church in The rear altar originates from the former hospital chapel in the Hallstatt village district of Lahn.

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The two stone lanterns on the village side were once used during funeral masses. The exquisite stained-glass windows in the gothic section of the chapel, located in the upper story, depict St. Michael with the Balance of Life.

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