Hegel and Shakespeare on Moral Imagination


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Hegel and the Concept of Extinction

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Hegel and the Concept of Extinction

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Forgot your password? The difficulty arises in part because Hegel, working within the tradition of German idealism, was attempting to grapple with dimensions of human experience that lie largely outside the scope of this tradition, which was established above all by Kant.

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While deeply indebted to Kant, Hegel did not find the language of idealism wholly adequate to explain what he felt needed explaining, and he had to invent his own philosophical terms, which at first seem unfamiliar and strange. In one dizzying gesture, the twenty-seven-year-old Hegel attempts to outline and define all the diverse dimensions of human experience as he sees them: knowledge and perception, consciousness and subjectivity, social interaction, culture, history, morality, and religion.

Here he sets out his agenda for a systematic philosophy the subject of which is not simply the knowing and perceiving individual mind, as it was for his immediate philosophical heirs such as Kant, but social beings who are oriented to the world collectively through culture. The individual is not simply standing directly opposite objects but rather is forced to mediate between the subjective and the collective moments of understanding—that is, between his own immediate perceptions and the ideas about the world that he shares with the people around him.

In these early sections of Phenomenology of Spirit , we get an early glimpse of this approach, the famous dialectic, the idea that knowledge is a process of striving to arrive at stable and truthful categories of thought.

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Georg Wilhelm Friedrich Hegel — How to Cite This SparkNote. From the SparkNotes Blog. By Elodie.


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